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History menu > The McCulloch collection >
Victorian Art and Artists
Catalogue index of the McCulloch Collection of Modern Art, with
additional links to some of the paintings and artists, and cross reference
to Special Edition of Art Journal
This article has no connection to Malvern
Overview
This page contains an annotated transcription of the
index at the back of the Catalogue which listed the painters and
sculptors
whose work was exhibited at the
Royal Academy Winter
Exhibition of 1909, which featured the 'McCulloch Collection of Modern Art'.
In the second column of the tables below we have
associated the name of the work with its catalogue number and in many cases added
links to the artists and paintings.
 After
the exhibition, a Special Edition of the Art Journal was
published that contained images of many of those works - where permission
had been agreed for reproduction. These images could help researchers
identify works that may have been in the collection.
At the back of the Special Edition of the Art Journal is
another index which claims to list the works which formed
the George McCulloch collection. This index lists the majority of works
which were exhibited at the RA, but in a few cases either the name is
slightly different, a work is omitted, or a work has been recorded which was
not exhibited. The third column added to the table below lists the page of
the Art Journal where an image can be found and any discrepancy.
In an Addendum at the bottom of
the page are listed other artworks in the collection which were not
exhibited at the RA.
It is hoped this information will help the reader
gain an appreciation of the extent of the collection and possibly inspire further reading
about the world of Victorian art.
Many of the links were originally to the BBC Your Paintings website,
which has now been superceded by the
Art UK website;
click to read more about Art UK below.
In a few cases we have included a description of the work
from the RA catalogue.
Some of the painters are described as 'genre' painters,
which simply
means that they painted domestic scenes of everyday life, either indoors or
outdoors; often of poor people in an agricultural setting. Many also painted
portraits of the wealthy to supplement their income.
We know little about the whereabouts of these works; some paintings,
particularly the larger ones, are in public galleries; some are now known by
a different name to that in the catalogue, while others we have been unable to trace.
So we would love to hear from you if you have any information,
about the artists, paintings and sculptures that could be added to this
page, particularly those for which we have no information.
Contents of this page
Transcription of index No 1, names of the painters
Transcription of index No 2, names of the sculptors
Addendum (items in the collection that were not
exhibited)
About the Art UK website
References
Names of the painters
| Painter |
RA catalogue number |
Art Journal page or comment |
| Abbey, Edwin Austin RA |
50,
Richard Duke of Gloucester, and the Lady Anne
|
56
|
| |
109, Lear and
Cordelia (view
similar) |
12 |
| Adam, Joseph Denovan (1842-1896) |
69,
Landscape with Cattle
(a number of cattle browing along a lane 23 x
35 in)
|
Cattle in winter; no picture |
| |
118, To the Winter Tryst through Glenogle |
To the Tryst: Glenogle; no picture |
| |
179,
Fording a Highland River: Glen Finlay |
No picture |
| |
324, Wayside pasture |
Not listed in the Art Journal; a miniature version of 179 |
| Allan, Robert
Wier, RWS |
128, The wild north sea |
93 |
| Alma-Tadema, Anna (Miss) |
308, Head of a girl |
Art Journal lists 'The Dance'; no picture but note 315 below |
| Alma-Tadema, Laura (Lady Alma-Tadema) |
256, The Puppet: the Great Reward
|
No picture |
| |
315, The Dance |
Listed under daughter's name above |
| |
327, Loves
curse
(see on this page) |
80 |
| Alma-Tadema, Sir
Lawrence, OM, RA |
5, The
Sculpture Gallery
|
The Sculptor's Gallery; 10 |
| |
76,
Loves
Jewelled Fetter |
No picture |
| Ansdell,
Richard, RA (1815-1885) |
54, Homeward
|
No picture |
| |
138, The Good Shepherd |
No picture |
| Aumonier,
James, RI |
52, Summer from the Hill Slopes |
No picture |
| - |
- |
|
Barber, Charles Burton (1845-1886)
Painter of children and pets |
297,
The Lucky Dog |
80 |
| Bastien-Lepage
Jules, (1848 -1884) |
1,
The
Potato Gatherers 1878
|
The Potato Harvest: Saison d'Octobre; 49 |
| |
27,
Pauvre Fauvette |
73 |
| |
89,
Pas Meche |
59 |
| |
|
Peasant (see bronzes); no picture |
| Bauernfeind, Gustav |
197,
The
Gate of the Great Mosque, Damascus |
No picture |
| Baxter,
Charles, (1809-1879) |
304,
The sisters |
No picture |
Bidau, Eugenie de,
This may be Eugene Bidau, listed on 'The
Find a Grave' website: French painter, Officer of the
Academie, born 27th Dec 1839, died 12 Dec 1899, buried
Cimetiere du Pere Lachaise, Paris |
198, Preparations for the Ball
Flowers and a (yellow) fan, with
which a kitten is playing, lying on a table.
Canvas 34 by 45 in. |
No picture |
Binet, Victor Jean Baptiste
Wikipedia relates: Victor Jean
Baptiste Barthelemy Binet, French painter, was born in 1849 in Rouen,
died 14 January 1924 in Routot. He trained as a theatre painter but
later became a landscape painter; brother of artist Adolphe Gustave
Binet. |
201,
At Quilleboeuf, Normandy |
No picture |
| Bishop, Walter Follen |
91, Burnham beeches |
No picture |
|
Blaas, Eugene de |
206, Admiration (several women and girls are looking with admiration
at a fisherman). Location unknown. |
Not listed |
| Blinks, Thomas
(painted sporting dogs) |
218, Steady! (a pointer and two setters at work in a thicket)
|
44 |
| |
244,
Tally ho! Away! |
No picture |
| Bonheur,
Rosa, (1812-1899) |
158,
The lion at home |
45 |
| Bortignoni, C (nothing known, but we wonder whether this was
Italian painter and engraver Guiseppe Bortignoni the elder 1778 - 1860
or his son) |
55, A happy visitor (a cavalier is seated, eating at a table on
which is some fruit; on the other side of the table stands a monk
cutting bacon). Panel 14 by 18 in. |
No picture |
| Bougereau, William Adolphe, (1826-1905) |
86,
Cupid and Psyche |
No picture |
| Bramley,
Frank, ARA |
179,
For of Such is the Kingdom of Heaven |
91 |
| Brangwyn,
Frank, ARA |
112, Charity |
87 |
| Brett,
John, ARA, (1832-1902) |
214, The Grey of the Morning |
16 |
| Brown, Thomas Austen |
17, The Calf Shed
|
No picture |
| |
70, Wayside Pasture
|
86 |
| |
263,
Fisher
Folk: (woman and girl walking along a rocky sea-shore carrying baskets
11 x 9 in) |
By the Blue Sea; no picture |
| Bundy,
Edgar, RI |
335, The Skipper's Daughter at the Shiphouse, 1895 |
No picture |
| Bunny, Rupert
Charles Wulfstan |
300, The Summer Dance
(see
examples of work) |
No picture |
| Burgess, John
Bagnold, RA, (1839-1897) |
177, The priest's birthday |
No picture |
| Burne-Jones, Sir
Edward, Bart (1833-1898) |
9,
Love among the ruins
|
15 |
| |
153,
The
Sleeping
Princess |
The Rose Bower; 14 |
| |
162,
Psyche's wedding |
No picture |
| |
|
Arras Tapestries; from page 112 |
| Butler, Elizabeth (Lady Butler) |
299,
The return from Inkerman (troops returning from the battle) 1877 |
Inkerman; no picture |
| Buttner, Helene (Austrian 1861 - 1947) |
47, The Meet (numerous figures of ladies and gentlemen, standing and
on horseback, near a big tree on the right; in front of a village inn is
a man shoeing a white horse.
Signed and dated H Buttner, Munchen,
1888. Canvas 13 by 20 in. |
Shoeing the Horse; no picture |
| - |
- |
|
| Cameron,
Sir David Young |
283, October (view looking across fields and meadows; two figues in
foreground) |
62 |
Charles,
James, (1850-1906)
Painter at first of portraits, later mainly
of landscape and rustic genre. |
28, Gathering Buttercups
|
No picture |
| |
141, A summer's day |
|
| |
209,
Harvest |
In Harvest Time; 52
Click for
image courtesy of D Wright |
| |
241, A Sussex Meadow. View looking across the meadows; cattle
in foreground, trees and farm-house in middle distance. This might be,
or similar to, the painting now known as
Meadow Scene with Cattle and Trees in the Victoria and Albert
museum, |
No picture |
| |
252, Watering her garden |
No picture |
| |
272, The
Drink by the Way |
No picture |
| |
281, The Pond |
No picture |
| |
293, The Lost Cap |
No picture |
| Clausen,
Sir George, RA |
38, The Little Haymakers
|
No picture |
| |
84, Ploughing |
29 |
| |
236, Going to
work
(examples
of work) |
No picture |
| Cole,
Vicat, RA (1833-1893) |
171, Abingdon |
55 |
| Collier, Hon John |
115,
A glass of wine with Caesar Borgia |
No picture |
| Cooper, Thomas
Sidney, ARA (1805-1902) |
166, Cattle (see
example of work) |
Cattle Coming Down Slope; no picture |
| Corbett, Edith (Mrs
Matthew Ridley Corbett, second husband) |
79, View by a wood near the Arno (Italy) |
No picture |
| Corbett, Matthew
Ridley, ARA (1850-1902).
Read more |
75, A Morning Study
|
No picture |
| |
148,
Afterglow in Italy: evening |
Evening in Italy: 62 |
| - |
- |
|
| Dadd,
Frank, RI. See
some paintings |
261, The Quarrel |
No picture |
Dagnan-Bouveret,
PAJ, HFA
(French 1852 - 1929)
Read more |
60, The Madonna and Child 1888
(see
similar 1885) |
No picture |
| |
96,
Portrait of Mrs
McCulloch
|
5 |
| |
104,
Portraint of the late George McCulloch |
3 |
| |
189,
La Cene
(the Last Supper) 1896
This may have been a replica of his original
masterpiece. |
No picture |
| |
195,
Dans la Foret
|
37 |
| |
302, Head of a saint
|
St Peter; no picture |
| |
338,
Saint John (study for one of the heads in no. 189) |
No picture |
| |
341, The late
George McCulloch Esq (study for no. 104, crayon) |
No picture |
| |
342, Portrait of Mrs George McCulloch (study for no. 96, crayon)
1900 |
No picture |
| |
344, Saint Thomas
(study for one of the heads in no. 189) |
No picture |
| Davis, Henry William
Banks, RA |
12, A
Gleamy Day in Picardy
|
No picture |
| |
20, Loch Maree |
77 |
| |
95,
Now Came Still Evening On |
84 |
| |
178, Summer Time |
76 |
Del Campo, Federico
See
some paintings. One of the finest painters of Venetian views in
the latter half of the nineteenth century. Born in Lima, Peru, about
1837 Del
Campo studied in Madrid with Lorenzo Valles (1830-1910) and travelled
in Italy. Worked mostly in Paris and London. Art dealer Arthur Tooth
organised exhibitions of his work in Chicago 1893, and at Messrs Tooth's
gallery, Haymarket, London in 1895 (ref 10).
We have found no record
of his death or family. |
279,
The Ca D'Oro
Venezia, 1880 |
99 |
Deutsch, Leopold.
George McCulloch's biographer LR McCallum
suggests this is likely the painter known as
Ludwig Deutsch
who painted many similar subjects (ref 9). |
203, Garde du Palais (an armed negro standing guard in an archway),
Paris 1896
Click to view possible image |
No picture |
| Dicksee,
Frank, RA |
63,
The burial of the viking 1893
(large painting, now named the
Funeral of a Viking in the Manchester Art Gallery, England) |
The Funeral of a Viking; 41 |
| Dixon, Harry |
58, A Tiger Resting 1894 |
No picture |
| Dollman, John Charles |
164, Polo (see
other works) |
No picture |
| Domingo, F.
Possibly this was the Spanish painter also known as Francisco Jose
Domingo Y Marques |
181, The Winning Trick |
No picture |
Douglas, Edwin
James
Read
more |
160, British Matrons |
No picture |
| Draper, Herbert James |
251,
The
Lament for Icarus |
58 |
| - |
- |
|
East, Alfred, ARA
Read
more |
7, A Summer Afternoon, Clairwin Valley
|
No picture |
|
|
42, An Angry Dawn |
No picture |
|
|
230, An Autumn Afternoon 1892 |
No picture |
|
Eckenfelder, Friedrich |
44, Horses resting (three horses resting under a tree) |
No picture |
| Elias, Annette (Miss). Born Hayes, Kent about 1849.
Painted landscapes and country subjects. Daughter of Silk Merchant Hyman Elias.
Her brother, Alfred Elias, was a landscape painter. |
144, Moor and meadow
306, Pasture land - Hampshire meadows |
No picture |
Ellis, Edwin, (1841-1895)
London marine and landscape painter. |
147, Noontide |
No picture |
| |
333, Yarmouth harbour
(see
other works) |
No picture |
Emms, John,
(1843 - 1912)
London sporting and animal painter. |
176, Gone to earth (hunting scene) |
No picture |
| - |
- |
|
Faed, Thomas, RA, (1826 - 1900)
Scottish painter of domestic genre and Highland scenes. |
22, Happy as the Day is Long 1872.
A woman seated at a cottage
door sewing a red jacket. (see
other works) |
88 |
Farquarson, David, ARA, (1839 - 1907)
Scottish landscape painter. |
40, The salmon river: shades of evening
|
No picture |
|
|
111, Full moon and
spring tide |
No picture |
|
|
220, Winter |
68 |
|
|
285, Gorse and may blossom |
No picture |
|
|
296,
Saddleback 1896
(see
other works) |
No picture |
|
Farquarson, Joseph, ARA,
(1846 - 1905). Scottish landscape painter noted for winter scenes. |
117,
Cauld blows the wind frae east to west |
No picture |
|
Fildes, Sir
Samuel Luke, RA, (1843 - 19127). Illustrator and painter. Painted
portraits of royalty. Knighted 1906. |
32,
The
Alfresco Toilette |
No picture |
|
Fisher, Mark
(American 1841 - 1923) |
4, Springtime
|
42 |
|
|
325, A Hampshire farm (purchased by Art
Gallery of New South Wales 1913) |
|
|
Fletcher,
William Teulon Blandford, (1858 - 1936). Landscape and genre
painter. Member of the Newlyn group. |
204, The Village Pond |
No picture |
|
Forbes, Elizabeth (Mrs Stanhope A Forbes,
Canadian 1859 - 1912). Painter of rustic genre. Founded the Newlyn Art
School with her husband in 1899. |
11, Victor and the Vanquished
|
No picture |
|
|
331,
Jean, Jeanne and Jeannette
|
No picture |
|
|
332,
The Witch
(see
other works) |
90 |
|
Forbes, Stanhope A, ARA,
(1857 - 1947). Painter of realist genre and a leading member of the
Newlyn School. Many of his paintings were large scenes of Cornish
fishing villages. |
145,
Forging the anchor
|
32 |
|
|
227, Soldiers and sailors |
Soldiers and Sailors: the Salvation Army; 81 |
|
|
257, The
Lighthouse, (a sketch) |
No picture |
| - |
- |
|
Garstin, Norman,
(1855 - 1926).
|
262, The balloon: inflated stock |
No picture |
|
Gerome, Jean Leon, HFA, (1824 - 1903) |
80, An Eastern Girl, now known as
The Almeh, 1873, possibly in the Metropolitan Museum of Art, New
York? |
100 |
Ghent, Peter.
(British 1856 - 1911).
Painted landscapes, mostly in North Wales. |
205, Nature's Siesta
Now named
Landscape in Williamson Art Gallery |
No picture |
Gilbert, Sir
John, ARA, (1817 - 1897).
Painter and watercolourist of historic
genre. |
235,
The return of the victors,
Lady Lever Art gallery |
With all the Banners Gaily Spread; no picture |
Godward, John William,
(1861 - 1922).
London painter of classical genre. Subjects often
pretty girls wearing flimsy robes. |
210,
Yes or
No?
(Another painting 'Memories' 1891 was donated to the Broken
Hill Art Gallery by George McCulloch in 1904. Godward painted several
pictures with this title.) |
70 |
Goodall, Frederick, RA, (1822 - 1904).
London painter of landscapes, genre and Egyptian scenes. |
267, Rebekah at the Well 1866 |
Rebecca at the Well; no picture |
Goodwin, Albert, RWS,
(1842 - 1937).
Painter of landscapes, biblical and imaginative
subjects. |
142,
Florence: evening |
No picture |
|
Gotch, Caroline
Burland, (Mrs Thomas Cooper Gotch) |
39, The Peacemaker |
Listed under her husband's name |
Gotch, Thomas Cooper,
(1854 - 1931)
Painter of portraits, landscapes and realist genre.
Member of the Newlyn group. |
131, Twixt life and death
133, The child enthroned |
No picture |
|
Gow, Andrew, Carrick, RA,
(1848 - 1920). Painter of historical and military subjects. |
8,
After Waterloo, Sauve Qui Peut
|
95 |
|
|
105, After
Langside: Queen Mary's farewell to Scotland |
40 |
Gow, Mary
L,
(1851 - 1929), sister of the above, married the painter S P Hall.
Often painted pictures of girls. |
314, A Hot Day |
A Warm Day; 66 |
Grace, James Edward,
(1851 - 1908).
Landscape painter and illustrator. |
51, Untrodden Ways |
No picture |
|
Graham, Peter, RA,
(Edinburgh 1836 - 1921). Scottish painter of landscapes and coastal
scenes. |
59,
Where
Gannets Build, now held by Glasgow Museums Resource Centre
|
No picture |
|
|
97, The Hamlet
by the Sea, 47 x 72 in. |
Recorded as 'The Haunt of the Sea-Mew' an etching based on the
original painting; see image on page 91 of the Art Journal, by
permission of Messrs Arthur Tooth and Sons, publishers of the photo
engraving |
|
|
120,
Caledonia
Stern and Wild, now held by Ferrens Art Gallery, Hull |
96 |
|
|
139, A Highland Glen |
No picture |
|
|
165, Evening Time |
104 |
|
Graham, Thomas Alexander Ferguson, HRSA, (1840 - 1906). Scottish
painter, often scenes of fishing and country life. |
295, Orpheus and Eurydice |
78 |
|
Gregory, Edward John, RA, PRI,
(1850 - 1909). Illustrator and painter of genre and portraits. |
83, The old wedding gown, also now known as great grandmothers
wedding dress (worn by a little girl). |
Rediviva; 34 |
| - |
- |
|
|
Hacker, Arthur ARA |
159,
Vae Victis! The sack of Morocco by the Almohades
donated to the Broken Hill Art gallery, NSW in 1913. |
67 |
|
Halswelle, Keeley, (1832 - 1891) |
34, On the Thames near Sonning, 1878 |
No picture |
|
Harpignies, Henri |
34, Une soiree d'automne
(see
other works) |
No picture |
|
Hayes, Edwin, (1831 - 1904) |
18, Off the coast, Portrush
65,
Tantallon castle |
No picture |
| Heffner, Karl (German 1849 - 1925) |
48, Silvery morn, Munchen
|
No picture |
| |
134, Landscape
(see
other works) |
The Pond; no picture |
Hemy, Charles Napier, ARA
marine painter |
98, A Light Catch
|
No picture |
|
|
157,
The
Crew |
No picture |
|
|
174,
Crabber's bait
(now in
Towneley Town Hall) |
No picture |
|
|
287,
Bass
Fishing |
No picture |
|
Henshall, J Henry, RWS |
313, Her Daughter's Legacy |
72 |
|
Hill, James John, (1811 - 1882) |
167, Summer Afternoon on the Downs |
The Shepherd Boy; no picture |
|
Hillingford, Robert
Alexander |
155, Priscilla's wedding |
No picture |
|
Hitchcock, George |
64,
Maternite,
Aberdeen Art Gallery |
No picture |
Holmbert, August Johann, (German 1851 - 1911; nowadays the surname
is recorded as Holmberg)
Listed in Oxford Art online |
114,
The
Connoisseur |
No picture |
|
Hook, James Clarke, RA (1819 - 1907) |
239,
Hearts of
Oak |
107 |
|
Hornel, Edward Atkinson an associate of the Glasgow Boys |
292, Water Nymphs, described as, two little girls seated on a leafy
bank, near a pond covered with water-lilies. Signed and dated EA Hornel
1904. Canvas 35 by 29 in.
The Glasgow Herald newspaper of July 8th
1982 reported that the Glasgow Fine Art Society had purchased the
painting for £15,500 at auction from a private individual, but were
likely to sell it on. |
No picture |
|
Hughes-Stanton, Horace |
110, The George, Fontainebleau |
No picture |
|
Humborg, Adolf |
183,
The
Mishap
1887, also known as a mishap in the cloister's kitchen |
Not listed |
Hunter, Colin ARA, (1841 - 1904)
Sea painter |
291, The Ayrshire Coast |
Seashore: Ayrshire Coast; no picture |
| - |
- |
|
Inglis, J Johnstone,
(Dublin 1867 - 1946)
Painted landscapes, the majority Highland
scenes. |
88, The Evening Sun has Sunk to Rest, mang moors and mosses mony o.
(A moor with marshy ground in front; mountains beyond). |
No picture |
| - |
- |
|
Joanowitch, Paul, (Serbia, 1859 - 1957)
We think he may be
the painter recorded on Wikipedia as
Paja Jovanovic |
180, An Albanian Home, also now known as
the music lesson
(A little girl with a musical instrument is
being led by another girl to play before four men, three seated and one
standing; near the man on the right is a child with a coffee tray.
Signed and dated P Joanowitch, Paris, 1880. Canvas 37 by 58 in.) |
87 |
|
Johnson, Charles Edward, RI
(1832 - 1913). Landscape painter. One of his paintings is in the Tate
Gallery. |
211, The Falls of Tummel, Perthshire |
83 |
|
Johnston, Alexander, (1815 - 1891) |
85,
The
Press Gang
|
102 |
|
|
149, John Anderson, my Jo. |
No picture |
| - |
- |
|
|
Kennington, Thomas Benjamin,
(1856 - 1916). Portrait and genre painter. Mostly scenes of upper class
life, particularly mothers and children. |
254,
Mischief
1891
(Heads of three girls who are laughing and talking). |
90 |
|
Kiesel, Conrad |
202, There is sweet music here, that softer falls than petals from
blown roses on the grass 1891 |
No picture |
|
King,
Henry John Yeend, RI, (1855 - 1924). Well known london painter of
landscapes and rustic scenes. |
21,
The Lass that Loves a Sailor
|
No picture |
|
|
25, The Fisherman |
No picture |
|
|
29, The
harbour: low tide |
No picture |
|
|
35, Beehives |
No picture |
|
|
74, In a Derbyshire
dale |
No picture |
|
|
82, Lyndale, Devon |
No picture |
|
|
108, Autumn's Wooing |
89 |
|
|
151, The
Miller's Daughter |
No picture |
|
|
280, Homeward Bound,
possibly now known as the goose girl |
No picture |
|
Knight, John
William Buxton, (1842 - 1908). Landscape painter and watercolourist. |
298, The pier: sunset, view of a harbour looking out to sea 1898
(see
other works) |
76 |
| - |
- |
|
|
La Thangue, Henry
Herbert, ARA, (1859 - 1929). Painter of landscapes and rustic scenes
of farmers and country life. |
124,
The
Water Splash, Bath & North East Somerset's Victoria Art Gallery |
106 |
|
|
126,
Cider
Apples,
Art Gallery of NSW |
No picture |
|
Lavery,
Sir John, RSA, RA, RHA, (1856 - 1941). Well known prolific portrait,
genre and landscape painter. One of the the set known as the 'Glasgow
Boys'. |
236, Gilda: a flower girl
(see
other works) |
25 |
Lawson, Cecil Gordon, (1851 - 1882)
Landscape painter and watercolourist. |
101, Marshlands
Click for picture, National Gallery of Victoria, Melbourne |
43 |
|
Leader, Benjamin Williams, RA,
(1831 - 1923). Worcester landscape painter. |
71, Mead and Stream |
No picture |
|
|
127,
Worcester
Cathedral
|
No picture |
|
|
130,
When
the Sun is Set: a Worcestershire Village, 1892 |
No picture |
|
|
222, Conway bay and
the Carnarvonshire coast |
82 |
Leighton, Edmund Blair,
(1853 - 1922).
Historical genre painter. |
219,
Lay thy sweet hand in mine and trust in me |
No picture |
|
Leighton, Lord
Frededic, PRA, RWS, HRCA, HRSW, (1830 - 1896). Painter of historical and
mythological subjects. Knighted 1878, made Baronet 1886, and raised to
the peerage in 1896. |
41, The
Garden of the Hesperides
|
1 |
|
|
100,
The Daphnephoria
These were amongst the best of his work, and now in the
Lady Lever Art Gallery. |
The Procession of the Daphnephoria; 13 |
|
Lhermitte, Leon Augustin
(French 1844 - 1925). French draughtsman, printmaker, painter and
illustrator. Legion d'honneur. |
53, The Harvesters |
No picture |
|
|
194, Noonday Rest |
54 |
|
|
307, Haymakers |
No picture |
|
|
309, Gleaners
(Above paintings not traced - Lhermitte painted a
great many similar harvest scenes) |
No picture |
|
Linton, Sir James Dromgole, RI,
(London 1840 - 1916). Lithographer; painter of figure, portrait, and
historical subjects. |
276, The Bridge, 1893 |
Not listed |
|
Lloyd, Stuart |
|
Autumn Evening; no picture, and was not listed in exhibition
catalogue |
|
Logsdail, William,
(1859 - 1944). Landscape and genre painter. Friend of Frank Bramley,
influenced by Newlyn School and known for his scenes of London. |
154,
The Bank of England
|
65 |
|
|
334, A Summer Evening near St Raphael
1891 |
No picture |
Lommens, W
This is probably Wilhelm Lommen (German, 1838 - 1895) |
184, A coming storm
(A heavy tree trunk is being drawn by three
horses along a sandy road leading past a cottage into a wood; stormy
sky. Signed W Lommens. Canvas 38 by 61 in.
Click for image |
Not listed |
|
Lucas, John Seymour, RA,
RI, (1849 - 1923). London genre painter. |
125,
The
Call to Arms |
98 |
Lucas, Marie Elizabeth Cornelissen Seymour (1855 - 1921) wife of
above.
Painter of genre, and domestic subjects, particularly
children. Also illustrated children's books. |
311, Types of English Beauty (heads of three children) |
No picture |
| - |
- |
|
|
MacCallum,
John Thomas Hamilton, (1841 - 1896) |
173, High, low, jack and the Game.
(On the deck of a barge are
four men playing cards). |
64 |
|
Macbeth, Robert Walker, RA,
RI, RPE, RWS, (1848 - 1910). Painter of pastoral landscapes and rustic
scenes. |
119, The Miller's Daughter (fishing)
|
107 |
|
|
132,
The Coming
Storm |
No picture |
|
McCulloch, Horatio, RSA, (Glasgow 1805 - 1867).
Popular Scottish landscape painter. |
237, A Highland Castle |
63 |
McGregor, Robert, RSA,
(1848 - 1922).
Scottish painter of pastoral landscapes and rustic
genre. |
129,
Three
Generations,
Harris museum and art gallery |
No picture |
McClachlan, Thomas Hope, (1845 - 97).
Landscape painter |
24, The Evening Star |
No picture |
MacNab, Peter,
RBA, (1830 - 1900).
London landscape and rustic genre painter. |
319, The Fisherman's Daughter |
Not listed |
|
McTaggart,
Sir William, RSA, RSW, (1835 - 1910). Scottish painter of landscape
and coastal scenes. |
207, Love's Whispers
|
No picture |
|
|
226, Away over the Sea
Click for picture, held by Kirkcaldy Galleries, Fife |
77 |
|
|
229, Children at
the Seaside |
No picture |
|
MacWhirter, John, RA,
HRSA, RI, RE, (1839 - 1911). Scottish landscape painter. |
3, A Highland Bay
|
No picture |
|
|
73, The Sleep that is
among the lonely Hills
|
69 |
|
|
215, A Spate:
Glen
Affaric
(see
other works) |
51 |
| Majer, Gustav, (German, 1847 - 1900) |
213, Gallant Attentions, Munchen
Click for image |
No picture; painter listed as Mayer G |
Maris, James
Also known as
Jacobus Henricus Maris, (Dutch 1838 - 1899) |
192, A Dutch landscape
(View looking across a river which flows
along the foreground past a sluice; on the further bank is a
windmill, with cottages near; a second windmill is seen in the right
distance. Signed and dated J Maris, '78. Canvas 31 by 57 in.)
The
painting is now in the National Gallery of Art in Washington (ref 9).
Click for image
courtesy of NGA
|
Listed as The Canal; 18 |
Maris, Matthew,
brother of the above
Click for entry on Wikipedia |
321, At the Well 1872 |
Girl at the Well; 25 |
|
Marshall, Herbert
Menzies, RWS, RE, (1841 - 1913). London topographical artist,
watercolourist and architect. |
30, The Embankment, view looking along the Embankment, towards
Houses of Parliament; New Scotland Yard seen on the right, snow on the
ground, 1894.
(see
other work) |
No picture |
|
Menpes, Mortimer, RI,
RBA, RE, (Australia 1855 - 1938). Painter watercolourist and etcher;
painted street and market scenes in Britain and abroad. |
264, Because the River was Holy
303, The Yellow Girl |
No picture |
|
Michie, James Coutts, ARSA, SSA, (1860 - 1919). Scottish landscape
and portrait painter. Member of Aberdeen Art Society. His sister Mary
Michie was a watercolourist, flower painter and art teacher. He married
the widow of his patron George McCuloch.
See painting of by John Pettie. |
6, 'Home from the Hill', an old man, followed by a
dog, driving some sheep along a road by a cottage; blue sky with clouds.
Signed J Coutts Michie. Canvas 29 by 49 inches (donated to the Broken
Hill Art Gallery) |
110
Click to view illustration from Art Journal courtesy of LR McCallum |
|
|
19,
Portrait of Mrs
George McCulloch |
74 |
|
|
113,
Harvest |
No picture |
|
|
245, Autumn Sunshine |
Art Journal lists Autumn Shadows; no picture |
|
|
346,
Portrait of Mrs A McCulloch
(see
other work) |
Sketch; 9 |
|
Millais,
Sir John Everett Bart, PRA, HRI, HRCA, (1829 - 1896). Famous
painter, watercolourist and illustrator. |
10,
Sir Isumbras at the
Ford, 1857, Lady Lever Art Gallery
|
24 |
|
|
15, In Perfect Bliss
|
35 |
|
|
16,
Lingering Autumn. 1890 |
17 |
|
|
310, Sir Isumbras at the ford (small water
colour replica of no. 10) |
|
|
Mitchell, John Campbell
(Argyll, Scotland 1862 - 1922). Son of a wine merchant, painted
landscape and marine scenes. |
228, Knockbrex Moor
(View
Knockbrex moor now) |
Art Journal lists Autumn Shadows; no picture |
|
Moore, Albert
Joseph, ARWS, (1841 - 1893). Specialised in colourfull paintings of
classical Grecian figures. |
232, Winds and Seasons
(see
examples of work) |
The Loves of the Winds and Seasons; 19 |
|
Moore, Henry, RA,
RWS, (1831 - 1895). Brother of above. Marine painter and watercolourist. |
31, A Breezy Day
|
92 |
|
|
33, A Breezy Day off the Isle of Wight |
Art Journal lists 'A Blowy Day'; no picture |
|
|
161,
Off Gerran Bay, Cornwall |
31 |
|
|
243, Ouside Calais |
No picture |
Morgan, Frederick,
ROI, (1847 - 1927).
Popular painter of portraits, animals and
children. |
217, Granpapas birthday
(see
examples of work) |
Granfer's Boirthday; no picture |
|
|
|
Art Journal also lists 'The Young Brick'; no picture |
|
Muller, Leopold Carl, (1834 - 1892) |
190, An Arab Encampment |
No picture |
|
Munkacsy, Michael, (Hungarian 1844 - 1900) |
56, Tete a Tete
|
No picture |
|
|
188, After Dessert |
79 |
|
Murray,
Sir David, RA, HSRA, RSW, RI, (Glasgow 1849 - 1933). Scottish
landscape painter. On his death he left a bequest to the RA to encourage
landscape painters. |
78,
Long
After,
Corfe Castle, Nottingham Castle art gallery
|
No picture |
|
|
81, The Canal |
The Farm Ford; 97 |
|
|
99, The Half
Moon |
No picture |
|
|
103, Mangolds
|
30 |
|
|
143, The River Road |
No picture |
|
|
146,
Above the
Mill,
Russell Cotes art gallery, Bournemouth |
No picture |
|
|
152,
The
White Heat,
Glasgow museums |
50 |
|
|
163, Thistledown |
No picture |
|
|
212, Dee Side |
No picture |
|
|
216,
England's Canals: Kennet and Avon, 1895 |
Not listed in Art Journal |
|
|
221, Hampshire |
No picture |
|
|
266, Mead
and Stream: Late Evening, 1897 |
No picture |
|
|
277, Evening |
No picture |
|
|
316, Apple
Blossom: Springtime |
No picture |
|
|
318, The Shepherd, 1892 |
No picture |
|
|
323, Corfe Castle 1894 |
No picture |
| - |
- |
|
|
Noble, John Sargent,
RBA, (1849 - 1946). London animal and sporting painter. |
305, Dogs and Game
(see
examples of work) |
Hound and Game; no picture |
Noble, Robert, RSA,
(1857 - 1917)
Scottish landscape and genre painter. |
137, By the River
(see
examples of work) |
No picture |
|
North, John William, ARA,
RWS, (1842 - 1924). Painter of landscapes and genre; illustrator and
wood engraver. |
49,
Early
Spring |
The Morning of the Year; 89 |
| - |
- |
|
|
Oliver, William the younger (English 1823 - 1901). Painted figures,
mostly girls. |
94, Tis best to be off with the old love before you are on with the
new. (A seated lady is watching a man and woman embracing). |
No picture |
|
Orchardson, Sir William Quiller, RA |
72,
Music, when sweet
Voices die, vibrates in the memory
(lady playing a harp)
|
No picture |
|
|
77,
The
Young Duke, 1887, Lady Lever Art Gallery |
No picture |
|
|
240, Blossoms Fair |
11 |
|
|
290,
Master
Baby,
Scottish National Gallery |
61 |
|
Orpen, William |
270,
The
Mirror,
Tate Britain |
No picture |
|
Osborne, Walter
Frederick, (Irish 1859 - 1903) |
288,
Feeding poultry |
Feeding Chickens; no picture |
| - |
- |
|
|
Parsons, Alfred, ARA |
107, The Lonely Farm
|
No picture |
|
|
123, The Rain is Over and Gone
(see other works) |
38 |
|
Partielie, Edouard
(Belgian, 1861 - 1949) |
271, Entangled (a girl winding wool which is held by a man seated in
front of her) |
No picture |
|
Parton, Ernest |
62, Summer in Picardy |
No picture |
|
Peacock, Ralph |
282, A study (girl in white leaning on a balustrade, 1896, model,
Mary Lloyd) |
No picture |
|
Penley, E A |
|
Art Journal lists 'Mountain River'; no picture and not in exhibition |
|
Peppercorn, Arthur Douglas |
224,
The
Estuary
322, The Placid River |
No picture |
|
Petrie, Graham, RI |
234, Waiting for the Ferry |
No picture |
|
Pettie, John, RA, (1839 - 1893) |
90, The Threat (1875, man in armour standing in a gateway)
|
33 |
|
|
253,
The
Jester's Merry Thought |
60 |
|
|
268,
Portrait of a Lady |
No picture |
|
|
278, Sylvia |
21 |
Portrelberger, R
We think this may be Robert Poetzelberger
(1856 - 1930) an Austrian painter, sculptor and art professor.
Click to view German Wikipedia |
193, The Horse Race (Munchen, 1885, a man is driving a cart at speed
pulled by two horses) |
Listed as Portrellerger,R; no picture |
|
Pradilla
Ortiz, Francisco, (Spanish 1848 - 1921) |
185, Boabdil's farewell to Granada
(see
similar) |
94 |
|
Priestman, Bertram |
238,
The
Watering Place: evening
(1899) |
111 |
| - |
- |
|
|
Rackham, Arthur |
255, Andromeda (Andromeda in a blue robe, chained to a rock on which
is seen the dragon)
337, Scene from 'A Midsummer Night's Dream' (1905) |
No picture |
|
Rae, Henrietta (Mrs Ernest Normand) |
156, Psyche before the throne of Venus
(see
on ARC website) |
No picture |
|
Reid, John Robertson, RI |
135, The Poor are the Friends of the Poor
|
48 |
|
|
284, The Little Poacher |
No picture |
|
|
345,
The
Mermaid's Arrival |
No picture |
|
Riviere, Briton, RA |
26, So Near and Yet So Far
(see
other work) |
66 |
|
Ronner, Henriette (Madame), RI |
275, Kittens (see
on this page) |
No picture |
|
Roubaud, Franz
(Russian) |
191, The National Game, Samarkand |
No picture |
|
Roybet, Victor Leon Ferdinand
(French) |
199, Un Propos Galant (1893,
see on this page) |
No picture |
| - |
- |
|
| Sack, Edward (no information) |
330, The Shiek's Daughter (oriental interior: two partially draped
females lying on a divan) |
No picture |
Saltmer, Florence Adela, (little known British, genre and rustic landscape painter
1846 - 1934).
Her sister Augusta was a miniature painter and her
sister Eleanor, a writer. |
57, Harvest: Ewhurst |
No picture |
|
Sargent, John Singer, RA |
46, On His Holiday: Salmon Fishing in Norway. A Sketch (boy standing
on a rock)
|
Not listed in Art Journal |
|
|
116,
On his
Holiday: Salmon Fishing in Norway |
7 |
|
|
247,
Portrait of the late George McCulloch Esq
|
No picture |
|
|
259, Salmon hanging up on
the wall of a wooden hut |
No picture |
|
|
339, The late George McCulloch Esq (head,
inscribed to my friend Mrs McCulloch) |
Not listed |
|
|
343, Master Alec McCulloch
(head, inscribed to Mrs McCulloch) Aug 17 1901
(some
other works) |
Not listed |
|
Schmutzler, Leopold (German 1864 - 1921) |
231, A Welcome Visitor (two ladies seated at a table are welcoming
an officer in uniform) |
No picture |
|
Shannon, James Jebusa, ARA |
37,
Magnolia,
now in the Metropolitan Museum of Art
|
No picture |
|
|
136,
Fairy Tales,
now named Jungle Tale, in the Metropolitan Museum of Art |
109 |
Sims, Charles, ARA
(British 1873 - 1928)
(His eldest son attended Wells House prep
school in Malvern Wells. Charles Sims was the son in law of landscape
painter John MacWhirter) |
140,
The
Kite, National Museum Cardiff
248, Washing-day
260, Drying-day |
|
|
Solomon, Soloman Joseph, RA |
93, The Judgement of Paris (1891, full length nude figure of Venus,
untraced)
See print |
46 |
|
Sorbi, Raffaello
(Italian) |
242, Blind-man's buff (1888 numerous figures playing blind-man's
buff on a village green). |
108 |
|
Stokes, Adrian
Scott RA, VPRWS (1854 - 1935) |
2, The Setting Sun
|
86 |
|
|
326, The Edge of the River |
No picture |
|
Stokes, Marianne, (Mrs Adrian Stokes,
Marianne Preindlsberger, Austrian 1855 - 1927) |
14, The Goat-Herd
|
Girl and Goats; 75 |
|
|
106,
The
Page and the Queen |
75 |
|
|
289,
Flora |
Primavera; 61 |
|
Stone, Marcus, RA |
68,
A
Gambler's Wife |
No picture |
Stott, Edward, ARA
(1859 - 1918)
Not to be confused with William Stott of Oldham! |
36, The Harvesters' Return
|
88 |
|
|
265,
The
Widow's Acre |
No picture |
|
|
273,
The Inn: evening |
The Village Inn; 36 |
|
|
274, The Little Apple Gatherer |
No picture |
|
|
301, Evening |
The Watering Place; 36 |
| Strutt, Alfred William, RCA, RBC, ARE, (1856 - 1924), born in New
Zealand, before his family returned to England in 1856, where he was
educated at the South Kensington School of Art. Animal, genre, and
portrait painter. |
223, In a Fix (an old woman in a cart containing poultry, geese and
vegetables is vainly endeavouring to make her donkey, which is standing
still in the middle of a ford, advance).
Click for image |
49
Art Journal also lists Cats and Dogs: Family Trials |
|
Strutt, William, father of Alfred, above (1825 - 1915) |
150,
Pot luck |
Art Journal lists against son Alfred (above); no picture |
Swan John Macallan, RA
Initially studied at the Worcester School of Art |
23,
Orpheus,
1896, Lady Lever Art Gallery
320, A tiger drinking
Also see under
sculptors, below |
39 |
|
Swynnerton, Annie Louisa
ARA (1844 - 1933, maiden name Robinson, husband of Joseph William) |
294, Thoughts - seated old lady facing the spectator leaning on a
balustrade.
(see
other work) |
No picture |
| - |
- |
|
| Thaulow, Fritz
(Norwegian) |
182, A river in an autumn sunset
186,
A factory in Norway,
Aberdeen Art Gallery
329,
A river in winter, with trees
336, An old factory in Norway |
No picture |
|
Thomson, John
Leslie, RI. Scottish painter of landscape and coastal scenes, born Aberdeen 1851 died
1829 |
208, Evening with the Nymphs - several nude females on a sandy
shore; beyond is the sea,
29 x 47 in
|
This may be the painting named Sirens; no picture |
|
|
233, Noonday with Nymphs - several nymphs bathing in a river; trees
on right, 29 x 49 in
Purchased by Younger £105 |
Possibly the picture named in the Art Journal as 'Blue and Silver
and Gold' but most nymph are on the bank; 53
Click for
image courtesy of D Wright |
| Trood, William
Henry Hamilton, (British painter of animals 1848 - 1899). |
246, A Youthful Indiscretion - a puppy sleeping beside a broken gin
bottle. |
No picture |
| Tuke, Henry
Scott, ARA |
170, The Swimmers' Pool
(see
sketch for) |
47 |
| - |
- |
|
| Van Haanen, Cecil, (Dutch 1844 - 1915) |
200, La Sagra (see
on this page) |
A Venetian Fete; 101 |
| Villegas y Cordero, Jose,
(Spanish 1848 - 1922) |
196, Palm Sunday - procession in a Venetian church in fifteenth
century. |
57 |
| - |
- |
|
| Waite, Robert Thorne, RWS, (British landscape, mostly water colour painter 1842 -
1935) |
312, Harvesters - a harvest waggon filled with harvesters in a hay
field.
(see
other work) |
New Mown Hay; no image |
| Waller, Samuel
Edmund, (1850 - 1903), genre and animal painter. |
168,
One and
Twenty, 1891, figures some in hunting costume toast person on steps
of a manor house. |
|
| Waterhouse, John
William, R,
read about his painings |
61, Saint Cecilia 1895
|
27 |
| |
66,
Flora and the
Zephyrs 1897; (possibly this was purchased by retired merchant
Zachary Merton in 1913.)
|
26 |
| |
122,
Ophelia 1894 |
No picture |
| Waterlow, Sir Ernest
Albert, RA, PWRS, (1850 - 1919), landscape and animal painter. |
92, The Orphan, a shepherd in charge of a flock is about to
feed a lamb.
|
28 |
| |
169, Autumn Glory, a river in the foreground, to the
left a man in a punt. |
Golden Autumn; 85 |
| Watson, George Spencer
RA, (1869 - 1934), painted portraits and figurative subjects. |
175, Mother and Child, a lady seated at a dressing table, has turned
round to look at a boy on a bed.
(see
other works) |
Not listed in Art Journal |
| Watts, George
Frederick, OM, RA, (1817 - 1904) |
67,
Fata Morgana |
105 |
Whistler, James Abbott McNeil (1834 - 1903)
Read more |
249,
Valparaiso (now in the Smithsonian art museum in USA)
|
22 |
| |
299,
Portrait of the Painter |
23 |
| Wingate,
Sir James
Lawton, PRSA, (Scottish 1846 - 1924), landscape painter. |
102, Blithe May-Day, rising ground on which two men are lain down
beside a horse and cart. |
63 |
Wood, Emmie Stewart (1863 - 1937).
Landscape painter; Studied
Slade School and Juliens, Paris. ASWA 1887, Society of Women Artists
1893. Born Emmeline Walthew at Stockport, the daughter of cotton
spinner John Walthew JP and first wife Mary Ann Lister. Her stepmother
Susan Bell Faed was also an artist. Emmie married Rev Samuel George
Wood, the son of merchant John Atkinson Wood in 1889 by whom she had a
son. |
13, Landscape
|
Banks and Braes near Ochiltree; 48
Also listed 'The Path
Across the Meadow', not exhibited |
| |
225, Chilly Autumn |
No picture |
| |
250, Through the Fields |
No picture |
| |
258,
Summer-Time |
No picture |
| Woods,
Henry, RA, (1846 - 1921), painter of Venetian genre. Brother in
law of painter Luke Fildes. |
45, The Christening, now known as
A Venetian Christening Party
|
20 |
| |
121, The Flower Seller: Venice, also
known as La Frinlanella. Lady standing on terrace with basket of
flowers. |
La Frinlanella, Venice; 71 |
| |
328, Good Afternoon! 1897, scene in an Italian village; a man
carrryinga scythe is standing talking to some girls on the staircase of
a house |
No picture |
| Wright, Alan (no information) |
187, The Wedding Dress |
No picture |
| Wyllie, William
Lionel, RA, (1851 - 1931) painter and etcher of coastal and marine
subjects. |
317, Toil and Grime on a Flowing Tide |
A Study; no picture |
| - |
- |
|
Zezzos, Alexandre E
Recorded on Wikipedia as
Alessandro Zessos (1848 - 1914) an Italian painter |
43,
Flirtation |
Not listed in Art Journal |
Names of the Sculptors
| Sculptor |
RA catalogue number |
Art Journal page or comment |
| Bastien-Lepage,
Jules, (1850 - 1886) |
352, Statuette, bronze, a peasant woman leaning on a staff |
No picture |
| Cambi, Andrei (Italian, no information) |
349, Statue, marble, 'Curiosity'. Draped figure of a girl looking at a
letter |
No picture |
| Ford, Edward
Onslow, RA |
355, Statue, bronze,
Echo. Nude female figure standing with uplifted
arms
|
103 |
| |
357,
Bust, bronze. Portrait of the late George McCulloch |
127 |
| Gilbert, Alfred |
356, Statuette, bronze, Comedy and Tragedy. A boy carrying a comic
mask has been stung on the leg and his face assumes a tragic aspect
358,
Statuette, bronze, St George |
No picture |
| Rodin,
Auguste |
353, Group, marble, The Kiss.
(According to the sale
particulars of 1913 this was not the sculpture we now associate with
that name, but a group in white statuary marble of two female figures,
one of them winged, clasped in an embrace; 20 inches high. The sculpture
made 2,900 guineas at auction in 1913 and was purchased by Blake.
As of 2017 the sculpture was in the National Museum of Wales and is
renamed 'The
Clouds'. |
The Baiser; no picture |
| Swan, John
Macallan, RA |
347, Statuette, bronze, 'A Leopard Running'
|
No picture |
| |
348, Group, bronze, a
'Puma carrying a Macaw' in its mouth
|
44 |
| |
351, Group, bronze, 'Orpheus'. Nude
figure of Orpheus playing with a lyre to two leopards |
39 |
| |
354, Statuette,
bronze, 'A Lioness' |
No picture |
| |
360, Statuette, bronze, 'A Leopard Drinking' |
No picture |
| Taubman, Frank Mowbray,
(British 1848 - 1946) |
359, Group, bronze,
'Rescued'. Two figures embracing across the body
of a dead wolf. |
128
Click
to see image of sculpture 'Rescued' |
| Vichi, Ferdinando, (Italian 1875 - 1945) |
350, Statue, marble, Master Alec McCulloch. Full length figure in
highland dress |
No picture |
George McCulloch's biographer 'LR McCallum' relates that
not all artworks sold by Christie, Manson and Wood in 1913 were displayed at
the RA Winter Exhibition in 1909 (ref 11):
Transcription of Items from the Christie, Manson & Woods
Catalogue of the Collection of George McCulloch for 23, 29, and 30 May 1913,
which do not appear in the I909 Royal Academy of Arts, Winter Exhibition.
Items are listed in the order they appear in the sale catalogue.
Many of the artists listed below are to be found in the
Dictionary of Victorian Painters (ref 8) from which, and other sources, we
have added forenames.
| Artist (drawings) |
Sale catalogue number |
Franceschi, Mariano De,
Italian, 1849 - 1896 |
1. Past and Present, 19 ½ by 21 in |
Simoni, Gustavo,
Italian, 1846 - 1926 |
4. The Standard-Bearer and the Herald, 1877, 22 by 15 ¼ in |
Vizrotto, G (Venice)
Not identified, but we
wondered if this might be the man now known as Giuseppe Vizzotti
Alberti, 1862 - 1931. |
7. The Farewell, 26 by 14 ½ in |
|
Bromley, John Mallard, 1858 - 1939 |
202. Pangbourne on the Thames, 29 ½ by 49 ½ in |
| Bromley, John Mallard |
203. Haddon, from the Meadows, 29 ½ by 49 ½ in |
Coleman, William Stephen, British, 1829 - 1904
book
illustrator and painter; born in Horsham; studied to be a surgeon and
turned to art after practising for some time. He was a keen naturalist,
and painted for the Illustrated News and the London Almanac. Until 1881
he was on the committee of the Dudley Gallery.
click to see examples of work |
204. In the Cornfield, 1867, 13 by 21 ½ inch |
Darey, Louis, French, 1863 - 1914
painter of dogs,
hunting scenes and agricultural landscapes; worked predominantly with
oils. |
205. Birds and Weasel, 1900, 18 by 15 in |
|
Dibdin, Thomas Coleman, British, 1810- 1893 |
206. The Ruined Castle, 1870, 26 by 20 ½ in |
|
Geddes, Ewan,
Scottish, 1866 - 1935 |
207. Pastureland, 1891, 7 by 12 in |
Greenaway, Kate,
1846 - 1901
Well known illustrator of childrens' books |
209. The Frontpiece for a Calendar, 7 by 9 ½ in |
| Hunt, W (not identified) |
210. A Boy Kneeling at Prayer, 14 ¾ by 10 in |
Lloyd, Walter Stuart, British, 1875 - 1929
(a
water-colourist who produced both marine and landscape scenes of
pleasant and restful subjects with sound draughtsmanship and pleasing
colours) |
211. Autumn Evening, Newton Ferrers, 22 ½ by 37 ½ in |
McCloy, Samuel,
Irish, 1831- 1904
(listed as Macloy, S) |
212. A Fisherman’s Wife, 13 by 10 ½ in |
|
Mole, John Henry, British, 1814 - 1886 |
214. In The Garden, 9 ½ by 14 in |
Sainton, Charles Prosper, 1861 - 1914
Portrait,
figure and landscape painter and silver-point artist. Studied at the
Slade School and later in Florence and Paris. Son of violinist Prosper
Philippe Catherine Sainton. |
217. 1890. 'A Family Group', and 'A Pair I Meet' – a
pair.
Vignettes;
silver-points |
Smith, Carlton Alfred,
British, 1853 - 1946
studied in France and at the Slade School in
London. He married the painter Martha Sarah King and lived in London and
Surrey, visiting India in 1916. He exhibited at the Royal Academy and at
the Royal Institute of Painters in Water Colors. |
218. First Steps, 1886, 22 ½ by 30 ½ in |
| Webb, Archibald, British, 1825 - 1886, or possibly by
his son of same name. |
220. On the Lower Thames, 1888, 19 by 29 ½ in |
| Webb, Archibald |
221. An Old Village, Sunset; and Boats on a Dutch
Canal – a pair, 1888. 11 by 10 in |
| |
|
| Artist (pictures) |
Sale catalogue number |
Massani, Pompeo
Italian, 1850 - 1920 |
36.
The Golden Wedding, 6 ¾ by 8 in
Ferens Art Gallery, Hull |
Wood, Emmie Stewart (1863 - 1937).
Landscape
painter; Studied Slade School and Juliens, Paris. ASWA 1887, Society of
Women Artists 1893. Born Emmeline Walthew at Stockport, the daughter of
cotton spinner John Walthew JP and first wife Mary Ann Lister. Her
stepmother Susan Bell Faed was also an artist. Emmie married Rev Samuel
George Wood, the son of merchant John Atkinson Wood in 1889 by whom she
had a son. |
94. The Bickling Burn. A stream flowing through a
pasture towards a farm in the distance. 39 by 59 in |
| Wood, Miss Emmie Stewart |
198. Meadowland. A peasant woman approaching along a
footpath, 40 by 59 ½ in |
Bates, David
(lived in Great Malvern at Holly Mount Cottage, for some years) |
228. A Welsh Lake Scene, 15 ½ by 23 ½ in |
Beetholme, George Law, British, 1826 - 1904
London,
landscape painter, and solicitor
Click to see an example of work |
229. A Waterfall, 27 ½ by 21 ½ in |
Niemann, Edmund John, 1813 - 1876
Painter of
landscapes, angling subjects and marines. His German born father was a
member of Lloyd's of London. |
291. A River Scene, with a water-mill; and Florence
from the Arno – a pair. 7 ½ by 18 in |
Sainton, Charles Prosper
(see above) |
306. Two Children in a Hayfield. On panel, 6 ¾ by 10
in |
| Sainton, Charles Prosper |
307. Springtime; and Fishermen by a Boat. On panel (no
measurements) |
Thorn-Waite, Robert
Otherwise
Waite, Robert Thorne, RWS, (British landscape, mostly water colour painter 1842 -
1935) |
318. New-mown hay. A group of hay-makers, in a wagon, in
a field. 11 by 18 in.
Manchester Art Gallery |
Thors, Joseph,
Dutch, 1835 - 1920
Worked mostly in Britain, and like David Bates was
associated with the 'Birmingham School'.
Click to see other work |
319. River Scenes, with buildings and figures; and
Burnham Beeches (no measurements) |
Trood, William Henry Hamilton,
British, 1848 - 1899
Painter of animals, mostly dogs |
320. The Dog’s Home, Battersea, 1882, 19 by 24 in |
Wood, Miss Emmie Stewart
(see above) |
322. Sunny Days. A river scene, with a rustic bridge
and an angler. 23 by 35 in |
| |
|
| Artist (statuary and bronzes) |
Sale catalogue number |
|
Cain, Auguste,
French, 1821 - 1894 |
96. Chanticleer. A large figure of a cock crowing.
The figure in bronze, on a circular green marble pedestal. 35 inches
high.
The cockerel is the national emblem of France. |
Some of the links above point to the Art UK website which is a good place
for the beginner to search for images of works of art. To quote from their
website:
-
Art UK is a registered charity previously known as
the Public Catalogue Foundation.
-
The website is a joint initiative between Art UK and
art collections from across the UK. Project partners include the BBC,
Oxford University Press, the Public Monuments and Sculpture Association,
Culture 24, the Visual Geometry Group at Oxford University, and the
University of Glasgow.
-
Art UK’s mission is to open up public collections for
enjoyment, learning and research; it supports public collections to show
their artworks online.
- Maas Jeremy, Victorian Painters, 1969.
- Maas Jeremy, Victorian Art World in Photographs, 1984.
- The Grosvenor Gallery, a palace of art in Victorian England, Yale
University Press, edited by Susan P. Casteras and Colleen Denney.
- Dakers Caroline, The Holland Park Circle: Artists and Victorian
Society, 1999.
- Catalogue of the Royal Academy Winter Exhibition, 1909.
- Special Edition of the Royal
Academy Art Journal 1909.
- Billcliffe Roger, The Glasgow Boys. The Glasgow School of Painting
1875 - 1895, John Murray (publishers), first printed 1985.
- Wood Christopher, Dictionary of British Art Vol IV, Victorian
Painters, 1995.
- Communication from LR McCallum, December 2016
- The Times, Monday November 4th 1895
- Communications from LR McCallum, January - May 2017
(Note: reference 8 is in two parts. The first volume contains
brief details of about 1,100 painters, and the second contains more about
some of these painters with illustrations of some of their paintings; mostly
these are black and white plates. The cover of the first volume shows the middle of a charming painting by George Earl
1824 - 1908 named
Going North. It depicts an appealling group of Victorian travellers and
their dogs, mostly Setters, at a railway station. An
earlier version of Going North was painted in 1875 and a sister painting
made named
Coming South).
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